Caravaggio

Caravaggio
Years of life: 1571 – 1610
Artist's Teachers: Simone Peterzano
Art Movement: Baroque
Genre: Portrait , Religious , Still-life , Mythology , Genre scenes
Country: Italy
Century: XVI , XVII

His full name was Michelangelo Merisi da Caravaggio. The only one among the famous artists with such a criminal past (he was accused of hooliganism and murder). Died of malarial fever at the age of 38. Contemporary of Shakespeare (1564–1616).

Life and Works

He left his hometown of Bologna for Rome in 1592 where two distinct phases in his career occurred: the early period (1592-1599), when he studied the High Renaissance and Antique; and the mature period (1599-1606) where he rejected decorum and turned to an exhilarating realism. He was as well-received in Papal circles and executed many important Church commissions. In 1606, at the height of his success, he was involved in a fatal fight, which occurred because of a wager on a tennis match. He was forced to flee to Malta, after another fight, he moved on to Sicily. In Palermo, he was wounded. He died near Naples, awaiting the Papal pardon, which arrived three days after his death. His influence affected the work of La Tour, Rembrandt, and Velasquez.

Style

He is known for sensational subjects, in which severed heads and martyrdom are shown in gory detail, and young men display charms (his tastes were heterosexual, and his girlfriend a prostitute). The biblical scenes are full of drama. When he portrayed Christ or saints he used peasants or street urchins as models; which caused deep offense to many.

Equally sensational and theatrical was his painting style. His paintings are characterized by tense composition, masterfully foreshortening, dramatic lighting, and vivid contrasts between light and shadow (chiaroscuro). His later works, created after 1606, were created in a hurry, they are less dramatic and lack the former power.

What to Look for

Caravaggio’s early works are small paintings with half-length figures and still-life compositions. Later the figures became three-dimensional and the shadows became deep. Objects depicted in still-lifes can contain symbolic meaning, such as fruit that is full of wormholes.

Caravaggio’s major works are Calling of St. Matthew, 1599–1600 (Rome: S. Luigi dei Francesi); The Conversion of St. Paul, 1601 (Rome: S. Maria del Popolo); The Incredulity of St. Thomas, 1601–02 (Florence: Galleria degli Uffizi).

References:

  1. Robert Cumming. Art: complete encyclopedia. – 512 p. – Moscow: Astrel, 2005.

Artworks:

  • Judith Beheading Holofernes

    1598–1599 or 1602

    Judith Beheading Holofernes   •  1598–1599 or 1602

  • The Raising of Lazarus

    1609

    The Raising of Lazarus   •  1609

  • The Decapitation of Saint John the Baptist

    1607

    The Decapitation of Saint John the Baptist  •  1607

  • The Lute Player

    1596

    The Lute Player   •  1596

  • Penitent Magdalene (Mary Magdalene)

    1594 - 1595

    Penitent Magdalene (Mary Magdalene)   •  1594 - 1595

  • Bacchus

    1596

    Bacchus  •  1596

  • Madonna of the Rosary

    1607

    Madonna of the Rosary   •  1607

  • Crucifixion of Saint Peter

    1601

    Crucifixion of Saint Peter   •  1601

  • Basket of Fruit

    1599

    Basket of Fruit   •  1599

  • The Seven Works of Mercy

    1607

    The Seven Works of Mercy   •  1607

  • The Cardsharps

    1594

    The Cardsharps   •  1594

  • Death of the Virgin

    1604–1606

    Death of the Virgin   •  1604–1606

  • Fortune Teller

    1598 - 1599

    Fortune Teller   •  1598 - 1599

  • Supper at Emmaus

    1606

    Supper at Emmaus   •  1606

  • Supper at Emmaus

    1601

    Supper at Emmaus   •  1601

  • Saint Jerome Writing

    1605

    Saint Jerome Writing   •  1605

  • Cupid as Victor

    between 1602 and 1603

    Cupid as Victor  •  between 1602 and 1603

  • Medusa, painted on a leather jousting shield

    1596 - 1598

    Medusa, painted on a leather jousting shield  •  1596 - 1598

  • Ecce Homo

    1605

    Ecce Homo   •  1605

  • The Denial of Saint Peter

    1610

    The Denial of Saint Peter   •  1610

  • Christ at the Column

    1607

    Christ at the Column   •  1607

  • The Crucifixion of Saint Andrew

    1607

    The Crucifixion of Saint Andrew   •  1607

  • The Inspiration of Saint Matthew

    1602

    The Inspiration of Saint Matthew   •  1602

  • Portrait of Alof de Wignacourt and his Page

    1607 - 1608

    Portrait of Alof de Wignacourt and his Page  •  1607 - 1608

  • The Taking of Christ

    1602

    The Taking of Christ   •  1602

  • The Calling of Saint Matthew

    1599 or 1600

    The Calling of Saint Matthew  •  1599 or 1600

  • The Incredulity of Saint Thomas

    1601–1602

    The Incredulity of Saint Thomas   •  1601–1602

  • Conversion on the Way to Damascus

    1600 - 1601

    Conversion on the Way to Damascus  •  1600 - 1601

  • The Sacrifice of Isaac

    1603

    The Sacrifice of Isaac  •  1603

  • The Entombment of Christ

    1603–1604

    The Entombment of Christ   •  1603–1604

  • Young Sick Bacchus

    1593

    Young Sick Bacchus   •  1593

  • David and Goliath

    1600

    David and Goliath  •  1600

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